© David Spriggs. VOXArtwork | Steve Giasson, 2015 and 2016. © Kate McQuillen. Image courtesy of the artist. Vinyl cut-outs, installation on staircases. ArtistDatabase works: Koh, Germaine with Ian Verchere. Google, 2010. Mont-réelArtwork | Eva Clouard, 2015. Marika Dermineur and Stéphane Degoutin, Google House, 2003-ongoing. Melanie Lowe, You Saw Me?, 2008. Access Denied, 2007-2014. This series of work was included in McQuillen’s solo exhibition “Backscatter (an exploration of surveillance in the wake of 9-11)” at the O’Born Contemporary Gallery in Toronto, Ontario (2013).Website:http://www.katemcquillen.com Engravings on 9 sheets of tempered glass layered and spaced in transparent plexi-glass display units. Digital installation, Geolocation app, smartphone. Performance/installation (photographs, looped videos, drawings, office furnishings, TV sets). Goethe Institut, Toronto, ON. Warning message Attention! To expand my discussion from my online exhibition, in this final essay, I am going to investigate different surveillance arts and how those arts reflect the society we are living in. Image courtesy of the artists. Image courtesy of the artists. Kate McQuillenArtist Video projection, stored digital images, custom software. He has exhibited widely in national and international exhibitions, and is the recipient of a number of prestigious artist awards.Website:http://www.davidrokeby.com/ Currently, Giasson is completely his PhD in Études et practiques des arts at l’Université du Québec à Montréal.Website:http://www.stevegiasson.com/ Bringing together multiple technologies, Tremblay’s work often questions perceptions of the movement and flux of everyday life. ArtistDatabase work: Forman, Eric. 4-channel video installation with sound, 100 performance scripts, photographs, map, map pins, cork board. Participants rotate through each role to understand the diverse perspectives and experiences of surveillance. © Dave Kemp. Image courtesy of the artist. One of the scenes in Modern Times shows Charlie Chaplin’s character, the tramp, going into a bathroom to get away from the factory floor, only to find a monitor from which the factory manager sees him and orders him back to work. © Germaine Koh and Ian Verchere. Two large monitors, each displaying a disembodied eye, stare out at the audience. Rupture © David Rokeby. Dermineur has disseminated her research and art practices both nationally and internationally.Website:http://marika.incident.net/ Marika Dermineur and Stéphane Degoutin, Google House, 2003-ongoing. Hamilton, ON for the São Paulo Bienal. Photographe: Daniel Roy. © Jennifer Marman and Daniel Borins. You can find more information about Marika Dermineur on her website, http://marika.incident.net/. Interactive media. Variable dimensions.Eva Clouard is a young French artist who graduated from l’école supérieure d’art et de design du Havre and l’École Nationale Supérieure des Arts Décoratifs. Image courtesy of the artist. 2014.
6-minute looped DVD video. 2015 and 2016. Others will be more difficult, 2008, oil on canvas. Broken ArrowArtwork | Germaine Koh with Ian Verchere, 2008 and 2009 versions // Kneubühler, Thomas. The work mounts domed mirrors on the side of the wall, using these structures to create braille patterns that imitate the Snellen chart used by optometrists to test visual acuity. David Rokeby, Taken, 2002-2009. Variable dimensions. © Antonia Hirsch. Getting Called a “Faggot” Wasn’t Even the Worst Response. Rather than tell us about program X or problem Y in the word-based vernacular we’re numbed by, they offer new ways of seeing and understanding surveillance. Performance/installation (photographs, looped videos, drawings, office furnishings, TV sets). With this work. You are here. // Rokeby, David. 122 x 91.5 cm. fjs.parentNode.insertBefore(js, fjs); Vinyl cut-outs, installation on staircases. This piece is part of a larger collaborative project entitled Nunavut Lights that explores representations and visualizations of the photographic archive. In the group exhibition “Sorting Daemons: Art, Surveillance Regimes and Social Control,” Agnes Etherington Art Centre, Kingston, ON.Koroshegyi addresses the shifting concepts of place within geopolitical landscapes through his works in a variety of art media, including photography, installation, and intermedia. © Pierre Tremblay. Kathleen Ritter, Hidden Camera, 2008. © David Rokeby. Toronto, ON.Based in Toronto, Daniel Borins completed his undergraduate work at McGill University in Montreal and his graduate work at OCAD University in Toronto, ON, where he met his collaborator Jennifer Marman. Double BlindArtwork | Antonia Hirsch, 2008 © Thomas Kneubühler. the invisible hand (after Adam Smith) Surveillance Art exhibition: 'A Look Inside' - deBuren, Vlaams-Nederlands huis voor cultuur en debat A look inside, surveillance art exhibition, Bruxelles 2013 Saved by zrhjht ArtistDatabase works: Koh, Germaine with Ian Verchere. Installation view. Walker Evans led the way with undercover pictures taken on the New York City subway with a Leica hidden behind his coat. Digital video projection installation on a 4 minute loop. Artists and artworks:
©Melanie Lowe. The Art Gallery of Hamilton. Artwork | Antonia Hirsch, 2008Installation, mirrored acrylic domes. Photographe: Alegria Gobeil. Timed performance. Melanie Lowe, You Saw Me?, 2008. Michael A. Robinson, Subject to Scrutiny, 2013. © Kate McQuillen. Interactive online installation. The exhibition focuses on the invasive nature of photography and camera surveillance technology that is ever-present in London via CCTV. Video projection, stored digital images, custom software. 360-degree surveillance mirrors, fasteners. In the game, these aliens were meant to represent the threat of nuclear attack, a lived and real concern during this time of Cold War tensions. Ruthann Lee, Trying to Concentrate, 2004, DVD. To do this, Koroshegyi uses a flatbed scanner to closely trace photographs of artificial flowers. 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